Sunday, June 12, 2011

The Holliday-Dorsey-Fife House: The Inspiration for Fayetteville Female Academy

Last week we looked at what life might have been like for Scarlett at the fictional Fayetteville Female Academy, and now we're pleased to explore the real life inspiration behind Miss O'Hara's school. As many of you may already know, Margaret Mitchell based her heroine's alma mater on the real Fayetteville Academy. Located in the Georgia town of the same name, Fayetteville Academy was actually a coed institution, one that was attended by Mitchell's grandmother, Annie Fitzgerald. The Academy was housed in antebellum mansion, which today is known as the Holliday-Dorsey-Fife House Museum. (If the Holliday name sounds familiar to you, you aren't imagining things--the house was built in 1855 by John Stiles Holliday, uncle to the infamous "Doc" Holliday, whose connection to GWTW you can find here.)

To get the inside story on Fayetteville Academy, we reached out to John Lynch, City Historian for Fayetteville, Georgia and curator of the Holliday-Dorsey-Fife House Museum, who was kind enough to email us about the Academy's history and its relationship to MM, which we've excerpted for you:
"The academy was built and organized around the mid 1850's and was very popular with the surrounding planters and well-to-do people (which were not the majority).  They sent their children here due in part because of the reputation of the founding professors - George C., Morgan, and M.V. Looney (brothers). There really was no female academy although one was proposed in the 1840's and never came to be.  So the 1850's academy was coed.  Dr. John Stiles Holliday was one of the founding trustees of the academy and after building his home (present HDF Museum), he allowed some students and faculty to board in the house. One of the boarders was (at times) Miss Annie Fitzgerald (the grandmother of Margaret Mitchell).  To say the least the academy was the premier place in the county for educating young people.  Most of the other schools were one-room affairs that belonged to planters or wealthy farmers who built them for the use of their own children and surrounding neighbors' children.  We do have some information on a few of these.  Fayette County was not a very wealthy county as counties go in those days, although there were a few families of moderate wealth.  Most of the time these families tended to marry into each other...
"I should say that as far as local legends go there are numerous stories about M.M. and the people that lived around here.  Every family seems to have a story or connection to M.M. I would gather to say that about 90% of them or erroneous or greatly exaggerated.  However, Margaret Mitchell was very fond of Fayetteville and spent a lot of time here while helping the local woman's club in organizing the library. One of those ladies was Mrs. R.E.L. Fife (last owners of the HDF House).  She and her husband entertained M.M. at the home in 1937 at which time the young M.M. said the house "would make a good shot in the new movie GWTW.""
 --John Lynch, City of Fayetteville Historian and Curator of the Holliday-Dorsey-Fife House 

We agree with MM that the Holliday-Dorsey-Fife House would have made a good shot in GWTW. In fact, we blinked a few times upon seeing it ourselves, as it does remind us somewhat of Tara in the movie. Isn't it interesting to see how real life compares against reel life?

    The Holliday-Dorsey-Fife House. Image from fayetteville-ga.gov.                   Tara from Gone with the Wind. Image from fanpop.com.

 

Rue de la Paix

This week, we've got "His & Hers" collages, one featuring the dashing Clark Gable and the other the enchanting Vivien Leigh. How glamorous they were! 


6. Clark Gable



12. Vivien Leigh


Thursday, June 9, 2011

Of Grandeur and Gifts: A Small Glimpse into Victorian Birthdays



Recently I stumbled across a cute little tibdit on Victorian birthdays and gift giving that made me smile--and naturally think of Gone with the Wind, of course:

"Birthdays were celebrated in grandeur and gifts between the family members became integral to the Victorian Christmas. The wealthy looked upon fatherhood largely to lavish gifts and paying of sons debts, while in the middle-class, gift-giving was looked upon one's financial capabilities. Unfortunately, the mother very often could not compete in the area of gift-giving, thus the act of gift-giving become symbolic as to the exclusive duty of the father providing for his children."

The quote above refers to Victorian England, but I couldn't help but think it had a nice parallel to Rhett and his approach to spoiling Bonnie rotten fatherhood. It's not hard to imagine Rhett going completely overboard in buying Bonnie birthday presents--and being rather generous to Wade and Ella too, for that matter. 

In fact, I often wish Gone with the Wind provided us more glimpses into how birthdays were spent in the Butler household. It would have be fascinating to see how Scarlett and Rhett celebrated each others' birthdays, for instance, both before and after their estrangement--or if they even knew each others' actual birthdays at all, given their mutual hesistancy to share personal details and Scarlett's secrecy over her exact age. I'd also love to see just how lavishly they celebrated the children's birthdays and what kind of gifts they bestowed. But, alas, we have so little to go on, beyond the few tantalizing details MM mentions about the day of Bonnie's birth.

So I'd like to turn it over to you all and get your thoughts. How do you think Rhett and Scarlett and family celebrated their birthdays? Or any other characters in GWTW for that matter?

Poster of the Week

Any guesses as to what state this Gone with the Wind poster is from? That's right, Hoosiers, you've got your very own piece of GWTW memorabilia! The other 49 states are now officially jealous of you.

Image from christies.com.
 

Monday, June 6, 2011

The Puzzle of the Puffed Sleeves: What Scarlett's Wedding Dress Should Have Looked Like

"In the midst of this turmoil, preparations went forward for Scarlett's wedding and, almost before she knew it, she was clad in Ellen's wedding dress and veil, coming down the wide stairs of Tara on her father's arm, to face a house packed full with guests."
--Gone with the Wind, Chapter VII

Back when the Doppelganger Dresses series in full swing, one dress I definitely hoped to feature was Ellen's and subsequently Scarlett's wedding dress. So I plugged the numbers to refresh my memory as to what year Ellen married Gerald O'Hara. (Ellen is 32 at the start of GWTW in 1861, meaning her wedding at age 15 was in 1844.) With the date in hand, I went off to search for fashion plates.....and found nothing that even remotely resembled the massive-sleeved creation that Walter Plunkett made for Scarlett's wedding to Charles Hamilton (shown right). 

That was very puzzling to me--that the 1840s dress silhouette appeared to bear no resemblance at all to the bridal style shown in the movie. But dozens and dozens of fashion plates later, I couldn't avoid that fact. Big sleeves were distinctly out in the 1840s. Dresses featured tight sleeves, perhaps with a few delicate puffs for decoration, but that was about the extent of it. 

To help you visualize what I mean, here's a good example of day and evening styles from an 1844 fashion plate:

Dress Styles from May 1844. Ladies' Companion.

So, what did Plunkett use as the inspiration for Ellen/Scarlett's wedding dress, since it definitely wasn't 1840s fashion? Not being able to figure out the answer to that question, I gave up my search and moved on to look for other doppelganger styles. But this mystery continued to bother me from time to time--until something recently jogged my memory. 

It's true that 1840s dresses eschewed giant sleeves, but this wasn't the case a decade earlier. In the early 1830s, enormous gigot sleeves were all the rage--much like the ones we see on Scarlett's wedding dress. A quick search of 1830s wedding dresses turns up styles much more akin to the dress in GWTW than anything from the 1840s: 


                   Wedding Dress, June 1834. La Mode.                                           Wedding Dress, June 1835. La Mode.


So there's our answer. It looks like Walter Plunkett based his design for Scarlett's wedding dress on 1830s bridal styles, not 1840s. But why? This intriguing note on the Harry Ransom Center's Gone with the Wind costume collection offers one clue

"Since Scarlett rushed into the marriage with Charles Hamilton, she would have had to use her mother's wedding dress. So Plunkett fitted the dress on Barbara O'Neil's (Ellen O'Hara) dress form. Consequently, the dress was a little too long and had large sleeves which was the fashion in 1834 when Ellen would have been married." (Emphasis mine)

So did Plunkett simply get his dates wrong and put together an 1830s gown instead of an 1840s one? It seems so. It's also possible that he was just uninspired by 1840s fashion and instead found a historical model more to his liking a decade earlier. Either way, it begs the question: what should Ellen/Scarlett's wedding dress have looked like, if done in actual 1840s style? 

You'll find the answer after the jump, where I've put together a gallery of bridal gowns, all from the year of Ellen's marriage in 1844. Would you rather have seen Scarlett wear a dress like one of these in the movie? Or do you prefer Plunkett's vision? 

Thursday, June 2, 2011

Poster of the Week

This week, we're pleased to add Norway to our GWTW league of nations, with this charming poster circa the 1950s-60s. 

Image and poster information from christies.com.

Tuesday, May 31, 2011

The School Days of Scarlett O'Hara

"Stuart and Brent considered their latest expulsion a fine joke, and Scarlett, who had not willingly opened a book since leaving the Fayetteville Female Academy the year before, thought it just as amusing as they did."
--Gone with the Wind, Chapter I

"Despite a succession of governesses and two years at the near-by Fayetteville Female Academy, her education was sketchy, but no girl in the County danced more gracefully than she..."
--Gone with the Wind, Chapter III

 
Quite a while ago now, we explored the education of Ellen Robillard--and now at long last we're pleased to bring you a look at the education of Ellen's own daughter, our heroine Scarlett O'Hara. Like Ellen before her, we know that Scarlett's education culminates at 15, with her graduation from Fayetteville Female Academy. (Fifteen was the typical age that women finished secondary education in the antebellum South.) And Scarlett's education at Fayetteville Female Academy would likely have been very similar to Ellen's own in terms subject matter--reading, writing, mathematics, French, music, dancing and deportment, needlework, etc. 

So knowing this all up front, what is there new to explore here? Well, plenty. You see, we're able to glean a great deal of information about Scarlett's schooling simply from Margaret Mitchell's indication that she attended a female academy, in this case the fictitious Fayetteville Female Academy. So today we're taking an in-depth look at what life would have been like at girls' academies similar to Scarlett's own alma mater, from the dress code t0 the day-to-day schedule to the social outings. 

Like the last post on Ellen's education, my research for this post comes from an amazing book called The Education of the Southern Belle: Higher Education and Student Socialization in the Antebellum South by Christine Anne Farnham. I highly recommend it to anyone who has any interest about women's education or life in general during the antebellum South. It's a fascinating read. Alright, now it's time to get started!

The Basics

The School Year Schedule - Although there was broad variety in school schedules across the South, the school year was normally divided into two terms. Most schools held class from February to mid-July and again from late August through mid-January.  

The Dress Code - Unfortunately for Scarlett and her fellow antebellum fashionistas, most schools enforced strict dress codes. Uniforms were chosen for their simplicity. If the Fayetteville Female Academy's dress code was similar to that of St. Mary's School in Raleigh, North Carolina, for instance, Scarlett would have been expected to don "dark blue for winter and pale blue or white with blue ribbons for summer, worn with a Quaker bonnet of brown straw linked with silk and a banded with a broad blue ribbon that tied under the chin." On the forbidden list? Jewelry, silk fabric, and expensive embroidery or lace. So what would the school day have been like for Scarlett, all dressed up in her plain uniform? Let's find out...

The Daily Schedule

Morning Chapel Services - For most students, male and female, the school day started at sunrise. Religious education was considered of supreme importance, especially in the evangelical South. So it's no surprise that each weekday began with chapel services.  

Breakfast-  Following chapel, breakfast was served. Unfortunately for Scarlett O'Hara and her ravenous appetite, breakfast was often a modest meal, consisting of such fare as coffee and rolls or milk and bread and butter. 

Morning and Early Afternoon Classes - Mornings and early afternoons were reserved for classes, which normally ran 45 minute intervals each. Students rotated serving as "monitresses" who rang bells to signal the start and end of classes. 

Afternoon Walk - Believe it or not, walking excursions were a key component of a young belle's school day. Walks frequently lasted up to two hours of the day and took place either after breakfast or in the late afternoon. So what was the fascination with walking? Walks served several important functions. First, they were one of the very few forms of physical exercise deemed appropriately ladylike for young girls. Secondly, walks were seen as a way to reinforce a feminine appreciation for nature and the study of botany (this was the heyday of the language of flowers and picking bouquets was an encouraged pastime). Moreover, walks served as opportunities for socialization. 

Some schools allowed girls to partner off with friends on walks. But the majority made students parade into town in rows of two, which had the benefit of  attracting the attention of local young men (and potential suitors). So if the Fayetteville Female Academy's walking schedule consisted of the latter variety, Scarlett may have enjoyed it. Otherwise, probably not so much, given that girl bonding was not one of Miss O'Hara's preferred activities.

Dinner - So after all that walking and flower picking, not to mention classwork, Scarlett and her schoolmates would likely be in need of a break. Fortunately, the main meal of the day, dinner, was served in the afternoon (often around 3pm). A common menu would include meat, vegetables, and cornbread, with water to drink, followed by dessert of fresh fruit or pie.  

Free Time, Late Afternoon - When classes weren't in session and there wasn't any walking to be done, students were allotted free time, which was normally spent studying, sewing, visiting friends, writing letters, or practicing musical instruments. (Extra credit to those students who properly guess which activity did not occupy Scarlett's free time!)

Supper - With the day winding down, it was then time for a light supper, which normally consisted of dinner leftovers, along with milk, pie, pancakes, cornmeal mush, and chocolate.

Evening Chapel Services - The school day ended as it began--with chapel services. That just leaves our belles to retire for the evening and start all over again the next day. But, fear not, school wasn't all work and no play for Scarlett and company, as we'll explore in our final section.

Social Events and Other Excursions

Friday Evening Receptions - The main purpose of a young lady's education was, of course, to provide her with the tools needed to fulfill her true calling--marriage. With this in mind, some schools made sure to leave nothing to chance when honing their pupils' all-too-crucial social skills. They held Friday night receptions where students were required to receive guests (often local townsfolk) in the school parlor. During these receptions, young ladies were expected to demonstrate impeccable manners and lead conversations with strangers. 

It was thought that such occasions would allow young ladies to display their much-prized modesty and simplicity, the culminating traits of Southern ladyhood. Yet, regrettably for teachers, many students opted to use these opportunities to further advance their education as belles, employing a more vivacious candor that could be later refined and put to use in attracting beaux. Clearly, we know how Scarlett would have acted in this scenario.

Social Outings Galore - Last but most certainly not least, we come to social outings! For although the schoolday routine was rather regimented, there were still plenty of opportunities for fun at girls' academies. With the Southern zeal for entertaining and camaraderie, most schools offered a wide variety of social events to keep students happily occupied. Here's just a small rundown of some of the outings offered at various girls' academies: dinner parties followed by dancing, lantern slide shows, Fourth of July picnics, fancy dress balls, strawberry parties, day trips, and sleigh rides (if it snowed, of course). Margaret Mitchell says that "scarcely a week went by without its barbecue or ball" in the County, so Fayetteville Female Academy likely joined in the revelry and boasted a full social calendar too. One unfortunate downside? Most school functions were strictly off limits to the opposite sex. Poor Scarlett!

So that ends our look at the world of girls' academies in the antebellum South. But be sure to stay tuned for next week, when we'll take a look at the real-life inspiration for Fayetteville Female Academy: Fayetteville Academy. 

Friday, May 27, 2011

Poster of the Week

This week's poster features a different take on the iconic bonnet scene. All we can say is that we are happy they went for the other bonnet...

Image from moviegoods.com

Thursday, May 26, 2011

Gone with the Wind: First Lady Approved

So here's a tidbit my co-blogger iso, great admirer of well-dressed women of all times, dug out and that we thought you might enjoy. Windies, you're in classy company! It turns out Jackie Kennedy Onassis was a Gone with the Wind fan too. Here's the excerpt from her biography:
"Thayer's biography tells of the books Jackie read when she was young. She read Gone with the Wind three times. There were ways in which some of the operatic characters from the book resembled people in Jackie's own family. Jackie's mother, Janet, divorced Jackie's father, Jack Bouvier, in 1940, when Jackie was eleven years old. The man who got his nickname, 'Black Jack,' from his permanent suntan spent the rest of his life in a succession of New York apartments, sometimes looked after by girlfriends, sometimes not, spending beyond his means and trading on the stock exchange. Janet remarried in 1942. Her new husband, Hugh Auchincloss, was a rich man, the heir to Standard Oil money, which he used to found a stock brokerage in Washington, D.C. He maintained a big house called Merrywood in Virginia and another, Hammersmith Farm, in Newport for the summer. He had a son from a previous marriage, just two years older than Jackie, who was known in the family as Yusha.

"Yusha Auchincloss remembered that Jackie also loved the movies, and Gone with the Wind was one of her favorites. 'Rhett Butler reminded her of her father, Scarlett O'Hara of her mother,' he said. The grand southern house of the movie, Tara, reminded her of Merrywood and Hammersmith rolled together. Jackie's stepbrother also though that Jackie 'had a lot of Scarlett's qualities, the same ones her mother had, good and not so good.' Jackie grew up patterning herself on one of the most famous temperamental divas of the 1930s and '40s, both the character in the book and Vivien's depiction of her on the screen. Scarlett O'Hara could be shrewd and selfish as well as self-sacrificing, and it's difficult to tell which of those features drew Jackie to read about her again and again. Jackie might also have seen that her own family dramas sometimes paled before the melodrama on the page, and in that sense the saga of Scarlett and Rhett was a comfort" 
-- from Reading Jackie: Her Autobiography in Books by William Kuhn

Saturday, May 21, 2011

Rue de la Paix

We've got a simple but stunning collage this week. I love the old-school font for Gone with the Wind; it somehow reminds me of MM busily working away on her typewriter...





Thursday, May 19, 2011

Poster of the Week

Following in its tradition of producing vibrant GWTW posters, Italy brings us another fiery rendition of Rhett and Scarlett, this time fleeing Atlanta.

Image from moviegoods.com.

Wednesday, May 18, 2011

Ballgowns Circa 1867-68, or What to Wear to Make Your Enemies Jealous

"Hoops were out now, and the new styles were charming with the skirts pulled back from the front and draped over bustles, and on the bustles were wreaths of flowers and bows and cascades of lace.  She thought of the modest hoops of the war years and she felt a little embarrassed at these new skirts which undeniably outlined her abdomen."
--Gone with the Wind, Chapter XLVIII

You've just secured a fabulously stylish new wardrobe. What to do next? Why, throw an elaborate party and show off celebrate, of course! At least that's the course of action Scarlett O'Hara Butler decided to take as a newlywed. As we know, one of her very first initiatives as the freshly minted Mrs. Rhett Butler was to throw a lavish, if regrettably ill-attended, "crush" in her huge new mansion. Given that Scarlett expected her crush to be the social event of the season, we can surely guess that she put tremendous care into dressing for the occasion. So what exactly would she have worn?

As per her usual attention to detail and historical acccuracy, MM does a wonderful job of describing the fashions that comprised Scarlett's new wardrobe after her marriage to Rhett. But we thought we'd take her description one step further and bring you a slideshow of the fabulous, frilly ballgowns of the time. Below you'll find 21 fashion plates from Le Monde Elegant all circa 1867-68. Check them out and let us know what you think. Do you have any favorites? Which one(s) can you see Scarlett wearing? 




Tuesday, May 17, 2011

Ladies at Home: A Peek at Victorian Wrappers

For those of you reading/receiving this post for a second time, we're sorry. Blame our Google overlords for screwing up and deleting the initial post.

A long, long time ago our friend MM (now going by the name of MCM84) had a question. A very specific question. He was interested in Scarlett's wrappers. The movie features a variety of wrappers, the book mentions them on more than a few occasions, without offering further details about their style and color, so why not write a post about Scarlett's homewear? Easier said than done. Since clothes you wear at home have never been the most glamorous of items, fashion magazines of the time tended to bypass them in favor of the more elegant street dresses. We did our best to dig out stuff, however, and this is what we came up with.

The key to understanding Victorian wrappers is understanding their function. When were they supposed to be worn and who was supposed to see them? We get our answer from Florence Hartley's Ladies' Book of Etiquette, Fashion and Manual of Politeness, a book that first appeared in 1860, but was revised and republished over the years; our edition is the 1872 one.  Wrappers were supposed to be worn in the morning, before morning calls, when ladies were attending to their household duties. This explains the need for durable fabrics, that could be washed frequently, as Hartley explains at length:
"MORNING DRESS The most suitable dress for breakfast, is a wrapper made to fit the figure loosely, and the material, excepting when the winter weather requires woolen goods, should be of chintz, gingham, brilliante, or muslin. A lady who has children, or one accustomed to perform for herself light household duties, will soon find the advantage of wearing materials that will wash. A large apron of domestic gingham, which can be taken off, if the wearer is called to see unexpected visitors, will protect the front of the dress, and save washing the wrapper too frequently. If a lady's domestic duties require her attention for several hours in the morning, whilst her list of acquaintances is large, and she has frequent morning calls, it is best to dress for callers before breakfast, and wear over this dress a loose sack and skirt of domestic gingham. This, while protecting the dress perfectly, can be taken off at a moment's notice if callers are announced." 
--from Florence Hartley, The Ladies' Book of Etiquette, Fashion and Manual of Politeness
Wrapper from Godey's Lady's Book, 1866

But, if this was their function, were wrappers then designed solely for the eyes of the lady's family and house servants? Strictly speaking, yes. Well-bred ladies were not supposed to receive wearing their wrapper. But Victorians were nothing if not overly fond of elaborating  their etiquette rules to contradictory heights. While it was not polite for a lady to receive visitors in her plain wrapper, it was even more impolite to keep them waiting while she changed into a suitable outfit (which, depending on the lady's tastes, could take some time). So if one had unexpected callers, it was considered acceptable to excuse oneself and greet them in a wrapper. Moreover, it was impolite to wear very elaborate dresses in the morning, so ladies were encouraged to avoid the danger of overdressing by donning an elegant wrapper, meant to button to the waist and show the white underskirt from there down:
"DRESS FOR MORNING VISITS A lady should never receive her morning callers in a wrapper, unless they call at an unusually early hour, or some unexpected demand upon her time makes it impossible to change her dress after breakfast. On the other hand, an elaborate costume before dinner is in excessively bad taste. The dress should be made to fit the figure neatly, finished at the throat and wrists by an embroidered collar and cuffs, and, unless there is a necessity for it, in loss of the hair or age, there should be no cap or head dress worn. A wrapper made with handsome trimming, open over a pretty white skirt, may be worn with propriety; but the simple dress worn for breakfast, or in the exercise of domestic duties, is not suitable for the parlor when receiving visits of ceremony in the morning."-
-from Florence Hartley, The Ladies' Book of Etiquette, Fashion and Manual of Politeness
La Mode Illustree, 1867.
Godey's Lady's Book, 1856

What this meant was that wrappers were never plain, shabby garments never to be seen  by the world, not even the ones that were worn solely for breakfast. They were meant for a more informal and intimate but still semi-public  space and, as such, their patterns followed the trends for proper dresses, if in a more subdued style and different fabrics. When bustles became popular, wrappers were cut to either resemble a small bustle in the back or to be able to accommodate one. They favored bright colors and patterns and were meant to be worn with slipper of embroidered cloth or, in the summer, black morocco.

Godey's Lady's Book, October 1864

One example of a beautiful  and very ornate Victorian wrapper you can see below. You're strongly encouraged to visit this page to see more pictures of it and read the detailed description. It is easy to envision Scarlett in this style of more lavish wrapper, isn't it?

 

Sunday, May 15, 2011

Rue de la Paix

This week we've got a little collage that I put together to go along with that "Gone with the Wind Scrapbook" theme we have around there. Enjoy!




Saturday, May 14, 2011

Poster of the Week

Alright, after some technical difficulties with Blogger, we're back in action with a now somewhat belated poster of the week. We think this highly unusual German poster looks like a guy's version of GWTW--war plus Scarlett in a red dress. What do you think?

Image from moviegoods.com
 

Sunday, May 8, 2011

Happy Mother's Day!

Happy Mother's Day! In celebration our collage this week features the always-enchanting Vivien Leigh and her daughter. Best wishes to all our readers for a Happy Mother's Day celebration


Thursday, May 5, 2011

Poster of the Week

"The greatest motion picture ever made!" proclaims this 11x17 poster (circa 1940s-50s), which depicts Rhett and Scarlett's escape from Atlanta and, as is de rigueur in so much GWTW poster art, a swooning Scarlett in Rhett's arms.

Image from moviegoods.com.

Saturday, April 30, 2011

Rue de la Paix

Following our look at mourning fashions and our poster of the week selection, this simple collage of Rhett and Scarlett dancing at the Bazaar seemed like the fitting choice.

GONE WITH THE WIND
GONE WITH THE WIND by pixar on Polyvore.com
 
 

Friday, April 29, 2011

Gone with the Wind: A Love Story Fit for Royalty

I'm not sure if you've heard anything about it or not, but rumor has it that there was a small wedding held in England today. I'm speaking, of course, about the royal wedding of Prince William and Kate Middleton. But even truly royal couples such as Wills and Kate can find inspiration in one of the greatest love stories of all time--Gone with the Wind

You see, many years before Prince William and his bride were getting married in front of an audience of two billion people, they were just two university sweethearts who enjoyed doing normal, everyday things together: like going to the local pub with friends, cooking dinners in their flat...and dressing up as Rhett Butler and Scarlett O'Hara, as they did for a costume party during their senior year at the University of St. Andrews.

We briefly mentioned this charming tidbit about the royal duo on our Facebook page on the occasion of their engagement and, now just in time for their wedding day, we've got some new details on this cute story for you: 
"Now when someone suspicious showed up, [William and Kate's] friends nonchalantly ringed the couple to form a human shield... They used the same ruse at the May Ball and a couple of weeks later when they showed up at a costume party dressed as Rhett Butler and Scarlett O'Hara. "Will wore a mustache and looked very dashing," a partygoer recalled, "and Kate was swanning about saying, 'Fiddle-dee-dee.' I was hoping he'd say, 'Frankly, my dear, I don't give a damn,' but I doubt if he really knew that much about Gone with the Wind to begin with."
--excerpted from William and Kate, by Christopher Anderson
Isn't it kind of fun to think about the future King and Queen of England dressing up as Rhett and Scarlett? We think so. Anyways, congrats to you William and Kate--not only did you look fabulous today, but you've got great taste in love stories!

Thursday, April 28, 2011

Poster of the Week

Rhett and Scarlett scandalously prepare to lead the Virginia reel in this poster from GWTW's 1968 re-release. 

Image from moviegoods.com.

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