The Quotable Rhett Butler: That Weak Imitation of Napoleon

Having taken a look at the reasons England had for not weighing in on the side of the Confederacy, we'll now continue with the second half of Rhett's line and examine France's stance:

"And as for France, that weak imitation of Napoleon is far too busy establishing the French in Mexico to be bothered with us. In fact he welcomes this war, because it keeps us too busy to run his troops out of Mexico..." 

--Gone with the Wind, Chapter XIII

The "weak imitation of Napoleon" is of course Napoleon III, the nephew of The Napoleon (tm, because Bugsie likes him a great deal) and emperor of the Second French Empire. Now, weak imitation of his uncle or not, Napoleon III had plans for the world. All of the world, but some areas in particular. And it so happened that he had a most excellent plan with everything south of the United States, a plan known as the "Grand Scheme for the Americas." Don't let its name deceive you, the Grand Scheme was quite simple really. First step: France gains control of Central and South America and their resources. Second step: France rules the world. 

Napoleon saw an opening for his first step when Mexico (temporarily) ceased to pay its debts to its European creditors in 1861. France quickly made an alliance with the other wronged parties, Spain and England, launched an attack on Mexico, lost its allies on the way (they caught wind of step two and didn't like it one bit, basically),  but still managed to take control of the capital and install Maximilian of Hasburg at the head of a puppet state under French control. Most of this was accomplished because the United States had the courtesy to be otherwise engaged at the time, so yes, the French did welcome the American Civil War in this respect, as Rhett says. After the Civil War ended, the US troops and the Mexican resistance would in fact run them out of Mexico. 

But just because the Civil War suited his purposes quite fine, that doesn't mean Napoleon III didn't have a favorite in this race. He was on the side of the Confederacy, mainly because he thought the Southerners would tolerate his presence in Mexico more easily. He was quoted saying that if the North won, he would be glad, but if the South did, he would be thrilled. ("Si le Nord est victorieux, j'en serai heureux, mais si le Sud l'emporte, j'en serai enchanté!")  But despite this, he wouldn't act unwisely (for a certain value of "wisdom," where "wisdom" = "what would England do"). And England would not act, for reasons we discussed last week. So France didn't either. And the rest is, as they say, history.

Poster of the Week

We're back with a new poster for your enjoyment. This stylized French poster features  Rhett and Scarlett embracing against a fiery background...one so fiery, in fact, that Scarlett appears to be quite the redhead. 

Image from movieposterdb.com.

The Fashionable Rogue, Part 3: Rhett's Honeymoon Wardrobe

Today we bring you the third and final installment of our Fashionable Rogue mini-series, which explores the historical sartorial styles behind Rhett Butler's Gone with the Wind wardrobe. For this last edition, we're featuring two styles donned by Rhett on his honeymoon: his red silk robe from the steamboat scene and his tuxedo from the dinner scene in New Orleans. 

Quite oddly, it turns out that Rhett wouldn't have had to look very far at all to find inspiration for his red robe and tuxedo--both of the fashion plates we uncovered feature these two items, randomly enough. Perhaps a red robe and a classic tuxedo were merely wardrobe staples for the debonaire Victorian man? Either way, had Rhett been uncertain about what to pack for his honeymoon, he'd only have to look as far as his latest men's journal to  help determine the appropriate selection of clothing.

Like always, you'll find the fashion plates after the jump. Check them out and let us know what you think! 

Rue de la Paix

Lights, camera, action! It's time to watch Gone with the Wind! That's the theme of this week's collage, at least.

Gone With the Wind - Scavenger 2:1 by kugirl79 on Polyvore.com

Poster of the Week

Rhett and Scarlett stand out against lima-green backgrounds in this pair of hand-painted posters from 1939. 

 Images from accessatlanta.com.

The Quotable Rhett Butler: The Fat Dutch Woman

After a long holiday, the Quotable Rhett Butler is back! We're also getting close to the end of this series, only two or three quotes left. So, this week and the next, we will have twin lines, pertaining to Britain's and France's involvement in the American Civil War (or, rather, lack thereof) and then it's time to say goodbye. But first, let's take a look at Britain and its queen:

"Why, Scarlett! You must have been reading a newspaper! I'm surprised at you. Don't do it again. It addles women's brains. For your information, I was in England, not a month ago, and I'll tell you this. England will never help the Confederacy. England never bets on the underdog. That's why she's England. Besides, the fat Dutch woman who is sitting on the throne is a God-fearing soul and she doesn't approve of slavery. Let the English mill workers starve because they can't get our cotton but never, never strike a blow for slavery."

--Gone with the Wind, Chapter XIII

By the time Rhett and Scarlett had this conversation, in the spring of 1863, the chances of England rising to help the Confederacy were indeed slim. But it hadn't always been like that. Indeed the Confederacy had all along relied on the hope that the European powers, France and England in particular, would recognize it as a legitimate state, separate of the Union, and come to its aid. And at some points early during the war (see the Trent Affair), it had seemed that it might indeed happen.

Arguments in favor of this outcome? Firstly, Europe (and especially England) was dependent on the cotton produced in the South. Secondly, Europe (and especially England) was not a great fan of successful extra-European states and in fact quite fancied the idea of a divided Union. And finally, the European aristocrats had a natural affinity with the refined Southern upper classes and an equally natural distaste for the more... democratic Northerners.

Arguments against this outcome? Firstly, the European states were a little busy with their own engagements (i.e. being passive-aggressive and occasionally aggressive-aggressive to each other at any given chance). Secondly, no self-respecting empire precisely enjoyed creating a precedent by supporting seceding rebels. Thirdly, if they were going to pick camps, the European states wanted to be absolutely sure they were siding with the winner.  Fourthly, Europe needed the South's cotton, but Europe also needed the North's cereals just as much, if not more. And, last but not least, there was the moral issue: neither France, nor England particularly wanted to be associated with chattel slavery at this point in the 19th century. 

During the first two years of war, when the odds were not so clearly in favor of the Union and the war was framed more in terms of States' Rights than abolition of slavery, England might have been persuaded to step in on the side of the Confederacy. By the spring of 1863, this was no longer an appealing political action. The Battle of Antietam in the autumn of 1862 had shown the Confederacy to be the underdog and Lincoln's Emancipation Proclamation in January, 1863, had added a moral stake to the war. The Union had framed its actions as  a fight for human freedom, and no European government would want to be seen opposing such an endeavor.

It wasn't even, as Rhett suggests, that a minority at the top was opposed to slavery on moral or religious grounds. It was that, by this time in the 19th century, the public opinion was against it. While Queen Victoria* disapproved of slavery, in keeping with her desire to maintain a Christian kingdom, so did the British working classes, the same ones that were starving without the South's cotton. During the famous Lancashire Cotton Famine, the cotton workers in Manchester sent a letter that contained this passage to Lincoln:

"... the vast progress which you have made in the short space of twenty months fills us with hope that every stain on your freedom will shortly be removed, and that the erasure of that foul blot on civilisation and Christianity – chattel slavery – during your presidency, will cause the name of Abraham Lincoln to be honoured and revered by posterity."

--read more here. 

So, as you see, at this point in history a Confederate newspaper that still expressed hope for an English intervention was bound to addle anyone's brains... (Which we devotedly hope was Rhett's meaning with those first sentences there *cough*.)

*On a random note: Queen Victoria was of German origins, not Dutch. Her mother was the German-born Princess Victoria of Sexa-Coburg-Saalfeld. Americans used the word Dutch to refer to Germans, result of anglicizing the word "Deutsch."

The Fashionable Rogue, Part 2: Rhett's Bonnet Scene Suit

Today we're pleased to bring you the second installment of our new three-part mini-series, The Fashionable Rogue, which explores some of the possible historical inspirations behind Rhett Butler's wardrobe in Gone with the Wind. Last week, we looked at Rhett's white suit worn during the burning of Atlanta. This week we're bringing you an earlier sartorial selection by Captain Butler--the gray suit and black jacket combo he wore to tempt Scarlett with bonnets and bangles and lead her into a pit to present Scarlett with a very generous gift from the Rue de la Paix.

You'll find the fashion plate and corresponding GWTW screenshots for comparison after the jump. Check them out and let us know what you think!